Lead #1. Driving and Drugging:
This story is told by the author in the first person as an objective observer.
The audience is envisioned as a passive observer that will be entertained and amused at the drug-induced antics of the narrator.
The only time or historical constraints of the lead are hinted at by the fact that the lead takes place in an automobile in the Barstow desert. No other setting details are given.
The tone starts out placidly on a desert drive. The narrator, however, develops a spontaneous, shocked tone of voice as the drugs take effect on him or her while driving. The narrator has a great sense of urgency, and ends up sounding comical due to viewing the hallucinations. It is amplified when the narrator screams “Holy Jesus! What are these goddamn animals?”.
The author is able to look back on the wild experience and arrange it in an organized and entertaining manner.
But the author and the narrator sound like very similar voices to me.
Lead #2: Celebration in New York Harbor:
This is a third person lead told from the viewpoint of an omniscient observer.
The envisioned audience is one which is expected to be awed by “the greatest pyrotechnic extravaganza ever mounted” (as the author puts it). It’s clear that it takes place on the bicentennial, approximately 1976, on the 200th Anniversary of America in New York Harbor.
The tone is one of built up excitement and festivity.
I hear a great amount of fascination and wonder in the author’s voice, as he/ she describes vividly the visual scenes of fifty-five nations bringing a myriad of sailors and ships to such a world-renowned extravaganza.
In this lead I feel that the voices of the author and narrator are one and the same.
Lead #4: Satire on the Human Race:
This lead is told by the narrator from a third person’s point of view, with a mock serious tone. It is written in a manner similar to the telling of a fairytale.
The author envisioned an audience that was open to satire and cynicism about the human race. The author writes using an all-encompassing timeline with regard to human history. He/ she paints with a broad brush regarding the entire human experience.
The tone is almost like a children’s tale that humorously shows the immaturity of humanity.
I can “hear” the author trying hard to set a tone about people in general in a sarcastic frame of mind.
The author’s voice seems to be one of intense, confused contemplation on the human condition. The narrator on the other hand, comes across as very funny and natural in ridiculing people as a whole.
Lead #7: Wife Dies:
In this lead the narrator explains everything from a first person point of view, like a passive observer.
The audience is envisioned as one that would be emotionally moved by a strange twist to an ordinary, everyday lifestyle.
The historical setting of the lead is a hot summer day in August, 1994. The tone set is a bland one at first, with the husband relenting to his wife getting her own prescription because she wants to also buy groceries. But the tone suddenly turns horribly dramatic as the reader learns the wife has somehow died, and the husband must identify her body.
I hear the author’s voice lulling the readers into a mild complacency in order to jolt them into the shock of realizing that this is anything but a boring story.
The voice of the author is starkly different from that of the narrator. The narrator seems calm, almost to the point of total complacency. On the other hand, the author is very clever in assembling the story so that it packs a huge wallop on the readers when they find out the wife has died.
